Taylor Guitars has developed a well-deserved reputation for making some of the best acoustic guitars on the market today. In our eyes, every model they produce – even their lower range offerings – tends to be a step above most of their competition. The Taylor GS Mini does not disappoint.

That point of view certainly carries over to the Taylor GS Mini series of guitars and basses. Sometimes short-scale or travel guitars tend to be viewed as more utility items than anything else. Their compact size is geared towards younger players with smaller body proportions or just having a smaller guitar to carry around. 

Taylor GS Mini – Review

With the GS Mini series, nothing could be farther from the truth. The entire range of instruments is well crafted (and high-quality) models that are certainly worthy of the Taylor name.


Taylor GS Mini-E Koa PLUS front

Taylor GS Mini-E Koa PLUS

For the most part, each model’s overall construction (seven six-string guitars and four 4-string basses) in the GS Mini series is the same. The design is based on a scaled-down version of the Grand Symphony body design, which features a smaller 23.5″ scale length.

The GS Mini models are non-cutaway and come in a wide range of available tonewoods. Most notable in this regard are Koa, mahogany, and Sitka spruce for the tops while having a choice of Sapele, rosewood, Koa, or maple (all layered construction) sides and back.

Necks on the GS Mini series are also made from several excellent tonewood selections such as Sapele, hard rock maple, or mahogany. Overall, the tonewood options are based on the particular model you are considering (for example, the GS Mini-e Koa features Hawaiian Koa for the top, layered Koa for the back and sides, and a Sapele neck). All models (both guitars and bass) have 20 frets mounted on West African ebony fretboards, which do not feature any binding.


While many hardware items are similar between all of the GS Mini model choices, some available options (based on the chosen model) help to differentiate the individual product line offerings from each other, a Nubone nut with a Micarta saddle (both human-made materials) along with Taylor-branded die-cast tuning machines are found on every model. Each offers – at a minimum – a Taylor GS Mini hard bag. Taylor hard bags are perfect in our experience and, while they are not as wholly robust as a hardshell case, they are specific steps above a simple soft gig bag.

Taylor GS Mini line-up

Taylor GS Mini line-up

The electronics on the GS Mini series guitars span a variety of options. The ‘GS Mini’ models have the option for an aftermarket soundhole pickup called the ES-Go (we say ‘aftermarket,’ but it’s Taylor-branded). The ‘GS Mini-e’ models move up the scale, where the electronics configurations are more advanced. Here you will find either the ES-B, which is a piezo-based under-saddle pickup with an onboard preamp (complete with volume and tone controls along with a chromatic tuner – a somewhat rare feature on Taylor guitars) up to the high-end Expression System 2 that comes standard on the ‘top end’ GS Mini-e Koa Plus.


Like the full-size guitars in the Taylor product line, there is no shortage of fantastic performance with any GS Mini model. Going from the standard GS Mini (least expensive) to the top-tier GS Mini-e Koa Plus, you’ll experience a guitar that has an incredible tonal range, with a low end that isn’t too boomy while also having crisp and defined higher frequencies. The overall sound is well balanced and full, just about to the point where – if you did a blind sound test – you would think that you were playing a full-sized Grand Symphony.

Tonal excellence is evident right off the bat when playing a GS Mini that’s unplugged. If you take advantage of one of the multiple Taylor electronics options available, obtaining an excellent and rich amplified tone can be done with relative ease, making the GS Mini series great options for live performance environments.

Playability is also a characteristic of Taylor acoustic guitars, and the GS Mini series is no exception. While it’s true that only having a smaller scale length can result in a guitar that’s easy to play, you can’t discount the effect of Taylor’s build quality on how smooth it is. Full chords are effortless to finger up the neck, and single-note lines also benefit from the smooth string action.


Scale Length 23-1/2″ Nut & Saddle Nubone Nut/Micarta Saddle
Bracing X-Bracing with Relief Route Truss Rod Cover Black Plastic
Pickguard Tortoise Number of Frets 20
Tuners Die-Cast Chrome Case GS Mini Hard Bag
Brand of Strings Elixir Phosphor Bronze Medium Body Length 17 5/8″
Body Width 14 3/8″ Body Depth 4 7/16″


Binding/Edge Treatment None Top Finish Varnish
Back Config Laminate Backstrap Finish None
Rosette Size Three Ring Bridge Inlay None
Back/Side Finish Varnish Armrest Binding None
Backstrap Wood None Rosette Mat. None
Stain/Sunburst None Wedge None
Armrest no    


Neck Width 1-11/16.” Fretboard Inlay 4mm Dot Italian Acrylic
Fretboard Binding/Edge Treatment None Heel Cap Binding Black
Type of Neck Joint Taylor Neck Neck/Heel Hard Rock Maple
Fretboard Wood West African Crelicam Ebony Neck Finish Varnish
Heel Length 3″    


Peghead Finish None Peghead Binding None
Peghead Type Standard Peghead Purfling None
Headstock Overlay Copafera Peghead Inlay None
Peghead Logo Printed on Headstock Overlay    


Bridge Pins Black Buttons Chrome
Fingerboard Ext None Edge Trim None


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If you’re in the market for a guitar that is smaller than a full-size guitar – whether one would just ‘fit’ you better or if you want one that’s a close-to-perfect choice for being on the go – then the Taylor GS Mini series should be among the models that you consider.

Yes, they can be just as expensive as their bigger cousins, but this is a prime example of ‘you get what you pay for.’ In our eyes, it’s hard to argue that the combination of Taylor quality craftsmanship, a tone that belies its size, and unique hardware options found in the GS Mini series doesn’t make them worth the price of admission.

Current price for the Taylor GS Mini

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